This stunningly creative novel combines history and mythology from several cultures to tell the story of Antinio, a gay Cuban man, as he searches for freedom and love in the face of oppression and disease. It is narrated by Hadrian, the brilliant emperor of ancient Roman whose male lover Antinous died by drowning at age nineteen, whereupon Hadrian made him a god and had statues of Antinous erected all over the Empire. Hadrian,now a disembodied demi-god with limited supernatural powers, takes an interest in Antinio, actively saving h is life on several occasions. He also meets with several of the Greek gods and with the orishas of the Santería faith who migrated to Cuba from Africa during the slave trade-learning about their role in human affairs. It is an unusual blend, but holds together throughout to tell a compelling story. There is a helpful character guide at the beginning.

Antinio’s story begins in childhood, under the Castro regime. Skilled in languages, after an eventful stint in the military, he works as a translator in the Ministry of Culture, assist ing visiting artists and performers. This job also helps him to meet many like-minded men, and he has a few passionate affairs. Unfortunately, due to Cuba’s macho culture and the leadership’s repressive stance on homosexuality, he must keep his feelings and relationships a secret, even from his family. This leads to powerful feelings of guilt and shame, enough to create a chorus of Lamenters, Shriekers, and a Siren, which torment him throughout his life. He also has a brief relationship with a woman, which leads to children; his relationship with them will come to haunt him.

After a botched attempt to escape to East Germany, Anti­nio finds another opportunity when the Cuban government allows homosexuals and other undesirables to leave via the Mariel Boatlift. This makes for an unusual scene, when Anti­nio, w ho has always presented himself as a ‘”macho” type, must now adopt the stereotype of the effeminate gay man to the authorities to convince them that he’s gay. He arrives in the U.S., ending up in Minnesota, where he struggles to adjust to an unfamiliar climate and culture. He begins to find community, work, and lovers, but he’s hit hard by the AIDS crisis. Despite Hadrian’s power, he cannot save Antinio. But he can tell his story.

A love of language infuses the novel. The characters’ names are mostly derived from Greek mythology and language. Anti­nio’s wife is Circe and his sons are named Icario and Polideuces. His best friend is Erato, the muse of love and erotic poetry. A bully is named Apolion, from the word for destroyer. Even the novel’s title, according to Hadrian, comes from a translation of the hero Odysseus’ name, which literally means “to be grieved at.” (The actual etymology of Odysseus is uncertain.) As a young man Antinio falls in love with the constructed international language Esperanto, and his job in the U.S. involves creating a computer program that can translate any language. Spanish is also scattered throughout the novel.

The gods and orishas play an unusual , sometimes troubling role in the story, helping to influence human affairs while generally staying away from individual people. Babalu Ayé, responsible for disease and healing, is the creator of HIV, although he takes no responsibility for its effects. This reader could not help but remember certain religious figures who declared AIDS to be God’s punishment for homosexuality. Not that the novel is suggesting that, but it’s an uncomfortable association nonetheless. That said, with its accessible writing, a compelling central character, and a fascinating blend of languages and cultures, The Troubleseeker is a powerful first novel.

Charles Green is a writer based in Annapolis, Maryland.

The Gods are a fickle lot. In Alan Lessik’s imaginative new novel, they reign over man both with an iron fist and a tender hand. The narrator of this piece is the Roman emperor Hadrian, deified upon his death and mourning the loss of his great love, his soldier Antinous, who sacrificed himself for the sake of Hadrian’s glory.He finds a surrogate in a young boy in Castro’s Cuba of the sixties, Antinio. He watches Antinio grow into a man of great beauty on the post-revolutionary island. Antinio lives in Havana, (“Havana, more so than any other Cuban city, had sex in the air all the time. It was languid, thick, hot, and moist.”) Antinio is filled with sexual longing; he is different, however. He longs for the beauty of other men above all. His homosexuality and the constrictions of living under Communist rule eventually drive him to flee Cuba at the age of twenty.

He begins his American life in Minneapolis, where he meets the second of the fated three great loves of his life. There he contracts HIV (“And in this first meeting, a group of tiny beings made their escape from Laquesio to Antinio. Neither were aware of this, and no humans knew anything about them.”). Antinio is not only watched over by Hadrian and other Greek and Roman deities. The Gods of Santaria, who rule over his native land, exert their heavy influence. In his mind always are the voices of a Greek chorus, Reason, the Lamenters, the Shriekers, and finally the Siren’s call.

The Troubleseeker is a novel imbued with sex, sensual and often erotic. Antinio is a prolific lover, with many pleasurable encounters. The author’s use of the Spanish language to describe acts of passion add another layer of eroticism. Of course, as with any narrative of the time, the AIDS crisis looms large. Its mystical gods provide a context for the pain and loss that Antinio encounters. Some are the cause of suffering; other gods provide relief and succor. It’s a mystical and effective device and makes for a rich story.

AIDS, in this narrative, is not only presented as an end to life. Also explored are the pain of survival, surviving the death of people you love and the damage it and living with HIV can do to oneself. How did we, as a community survive such a pandemic? How does it continue to affect our lives today? Since there are no easy answers to the hows and whys of HIV/AIDS, a colorful and fantastical explanation is something that can be quite cathartic.

Reviewed by John Francis Leonard. John Francis Leonard is an advocate and writer, as well as a voracious reader of literature, which helps to feed his love of the English language. He has been living with HIV for thirteen years and he is currently at work on his first novel, Fools Rush In. Follow him on Twitter @JohnFrancisleo2.

Amos Lassen’s review of the Troubleseeker